idea

noun.
1. a thought or suggestion as to a possible course of action.
the myth of [a] reality.
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mental impression (similar - concept; notion)
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an opinion or belief (similar - thought; theory)
2. the aim or purpose.
[a] myth resolves an irreconcilable contradiction.
late Middle English (in a philosophical sense): via Latin from Greek idea ‘form, pattern’, from the base of idein ‘to see’.
Oxford English Dictionary, II ed. (1989)
Definitions from Google search Oxford Languages (2025)
idea (aɪˈdɪ:ə). [a. late L. idea (in Platonic sense), a. Gr. ἰδέα look, semblance, form, configuration, species, kind, class, sort, nature, (in Platonic philosophy) a general or ideal form, model, f. root ἰδ-, ἰδέἰv, to see: the word being thus analogous in derivation and original sense to L. species from spec-ere to see, behold.] I. General or ideal form as distinguished from its realisation in individuals; archetype, pattern, plan, standard. 1. In Platonic philosophy: supposed eternally existing pattern or archetype of any class of things, of which the individual things in that class are imperfect copies, and from which they derive their existence. 2. a. The concept of anything in its highest perfection or supreme development; a standard of perfection; an ideal. b. A person or thing regarded as perfect in its kind; the ideal realised in an individual. 3. The conception of a standard or principle to be realised or aimed at; a conception of what is desirable or ought to be; a governing conception or principle; the plan or design according to which something is created or constructed. 4. In weakened sense: A conception or notion of something to be done or carried out; an intention, plan of action. 5. A pattern, type; the original of which something else is a copy; a preliminary sketch or draft; something in an undeveloped state. II. Figure, form, image. 6. a. A figure, representation, likeness, image, symbol, ‘picture’ (of something). b. Form, figure (as a quality or attribute); configuration, shape; aspect; nature or character. c. A 'figure' of speech or rhetoric; a form or way of speaking. III. Mental image, conception, notion. 7. An image existing or formed in the mind. a. The mental image or picture of something previously seen or known, and recalled by the memory. b. More generally: A picture or notion of anything conceived by the mind; a conception. c. A conception which reality corresponds; something merely imagined or fancied. d. in idea (= F. en idée), in conception or imagination; in mind, in thought: opposed to in reality. 8. a. More widely: Any product of mental apprehension or activity, existing in the mind as an object of knowledge or thought; an item of knowledge or belief; a thought, conception, notion; a way of thinking. b. A notion or thought more or less imperfect, indefinite, or fanciful; a vague belief, opinion, or estimate; a supposition, impression, fancy. c. Colloq. phr. to get (or have) ideas (into one's head): to conceive notions of a particular kind, usu. undesirable or harmful; spec. to entertain a notion of being rebellious, violent, etc. d. Used after a possessive to denote a person's conception of an ideal, typical, adequate example of the person or thing specified. e. An idea worthy of consideration or capable of realisation; a possibility. IV Modern philosophical development. [from 7 and 8] 9. With Descartes and Locke: Whatever is in the mind and directly present to cognitive consciousness; that which one thinks, feels, or fancies; the immediate object of thought or mental perception. 10. a. In the Kantian and transcendental schools: A conception of reason that transcends all experience; one of the noumena or ultimate principles apprehended by reason, as opposed to the conceptions of the understanding, which experience. b. In Hegelianism: The absolute truth of which all phenomenal existence is the expression; the Idea, the Absolute.

2022
2026
a sense of reality
Is this real?
Is a question of fact that i keep revisiting. A question of fact is answered by relying upon evidence, or something, that can be verified and demonstrated to be true or false. It asks what is, or what was, the case; as opposed to what ought to be the case or what someone thinks about it.
Law only provides the rules, but facts determine which rules are to be applied. The court relies on facts, while applying the law, to arrive at a decision.
A "fact" means and includes -
(i) any thing, state of things, or relation of things, capable of being perceived by the senses;
(ii) any mental condition of which any person is conscious.
(Section 2(f), Bharatiya Sakshya Adhiniyam, 2023.)
How do we perceive any thing, while we are conscious, which we believe to be a fact? Do you and i perceive the work accompanying the text displayed here similarly? And does the unconscious influence our belief that the state of things we perceive as real, is a fact? These are some of the questions that go beyond just a 'question of law' or a 'question of fact'. A fact, after all, is only a text, a sign, an image, or something that stands between us and [a] reality that was already mediated before we arrived.
Today, the line between fact and fiction is blurred more than ever. Virtual environments, platforms, feeds, and AI-generated images and voices now produce our sense of reality, and what they produce is a narrative, assembled, curated, and delivered to each of us in a different cut. Misinformation and disinformation travel faster than any evidence can be tested. The law, which still defines a fact by what can be perceived and what we are conscious of, has yet to catch up. The reality we live in now is a mediated one, and it's a narrative as much as it is witnessed. My practice is not a critique of a system or a commentary on the legislatures and legal procedures. i visualise a mediated reality as a collage of moving images, photographic images, and illustrations, digital in origin, lit on screens and thrown onto walls, as factional works.
In an age of immediacy, these factional works serve as evidence, while i attempt to find an answer to the question of fact: is this real?

The human mind, by its nature, successively employs in each one of its researches three methods of philosophising, of which the character is essentially different and even radically opposed: at first the theological method, then the metaphysical method, and finally the positive method.
Auguste Comte
Cours de philosophie positive
1830 – 1842
If identity and reality are mediated, how does it happen, and by what? This triptych follows one mind through three mediators, borrowing Auguste Comte's stages (theological, metaphysical, positive) and applying them to a single life rather than to history. It does not end in an unmediated truth. It ends in a practice.