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Ripped Poster Collage

अहम्‌  

Glitch Portrait

i am a construct

designed by the social paradigms, values, and ideals

constantly defined, and redefined, by a language that determines my social relations, my thought processes, and my understanding of who and what i am

manufactured by images of late stage capitalism and war

produced by a set of cultural practices and values that characterise my perceptions as a series of preferences, dispositions, proclivities, and biases.

Abstract Collage Profile

अहम्‌ 

The fragmented image, the broken code, the data corruption - the 'Glitch' stands for the rupture or trauma in one’s memory. By allowing the internal resistance to surface not in behaviour, but through a medium that offers a controlled, abstracted release of tension, the Glitch takes shape of a displaced manifestation, an act that mirrors the inherent struggle of confronting and expressing a repressed memory.

Glitch fundamentally resists the logic of the market, which values frictionless, consumable content that can be easily categorised, packaged, and sold. It is often non-commercial works that are difficult to categorise, and intentionally disruptive, thus acting as an anti-commodity aesthetic.

Glitch actively resists the institutional and corporate mandate for digital perfection and smooth functionality. In celebrating the error, Glitch challenges the authority of the structures that demand flawless interfaces, whether in corporate branding, polished media narratives, or seamless institutional data processing.

Glitch is more than an aesthetic play; it is a deliberate strategy of resistance. It is an assertion of your and my digital sovereignty - a declaration that the underlying code of one's existence will not be clean, legible, or profitable for the system.

 i am

 a glitch

in the

matrix 

myth
mythos
mythical
mytheme
mythopoeia
mythological
et al.

अहम्‌

a sense of reality

a sense of identity

in other
words,

i am particularly when viewed through the lens of contemporary art and psychology, is not a fixed, internal core but a dynamic, ever-changing portfolio of roles and narratives. It is the fluid story an individual continuously constructs and performs using my memories and perceptions, adapting them instantly in response to social context, cultural demands, and the pervasive influence of technology. This perspective sees identity as an artistic creation - a constant process of expression, mediation, and redefinition.

piece of capitalism TM → piece of capitalism TM → piece of capitalism TM → piece of capitalism TM → piece of capitalism TM → piece of capitalism TM → piece of capitalism TM → piece of capitalism TM → piece of capitalism TM → piece of capitalism TM →

piece of capitalism

act of becoming

within the pre-existing hierarchies of languagehistory that establish a shared meaning and define a collective identity through a communal network of signifiers. shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure and system of language intangible social relations and resources transformed into consumable commodity.

TM

Ilustración1.jpg

allusion of belonging

There are objects within the pre-existing hierarchies of law, language, and history that establish a shared meaning and define a collective identity through a communal network of signifiers within the pre-existing hierarchies of language, law, and history that establish a shared meaning and define a collective identity through a communal network of signifiers. shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure and system of language

varna
Vintage Paper Texture

We must at present do our best to form a class who may be interpreters between us and the millions whom we govern; a class of persons, Indian in blood and colour, but English in taste, in opinions, in morals, and in intellect.

Thomas Babington Macaulay

1835 C.E.

Bharatiya Nagarik Surakhsha Sanhita, 2023 [Indian Citizen's Protection Code, 2023]

Section 144. (1) If any person having sufficient means neglects or refuses to maintain—

(a) his wife, unable to maintain herself; or

(b) his legitimate or illegitimate child, whether married or not, unable to maintain itself; or

(c) his legitimate or illegitimate child (not being a married daughter) who has

attained majority, where such child is, by reason of any physical or mental abnormality or injury unable to maintain itself; or

(d) his father or mother, unable to maintain himself or herself, a Magistrate of the first class may, upon proof of such neglect or refusal, order such person to make a monthly allowance for the maintenance of his wife or such child, father or mother, at such monthly rate as such Magistrate thinks fit and to pay the same to such person as the Magistrate may from time to time direct:

Provided that the Magistrate may order the father of a female child referred to in clause (b) to make such allowance, until she attains her majority, if the Magistrate is satisfied that the husband of such female child, if married, is not possessed of sufficient means:

Provided further that the Magistrate may, during the pendency of the proceeding regarding monthly allowance for the maintenance under this sub section, order such person to make a monthly allowance for the interim maintenance of his wife or such child, father or mother, and the expenses of such proceeding which the Magistrate considers reasonable, and to pay the same to such person as the Magistrate may from time to time direct:

Provided also that an application for the monthly allowance for the interim maintenance and expenses of proceeding under the second proviso shall, as far as possible, be disposed of within sixty days from the date of the service of notice of the application to such person.

Explanation.—For the purposes of this Chapter, "wife" includes a woman who has been divorced by, or has obtained a divorce from, her husband and has not remarried.

2025. All Rights Reserved.

@reyyified 

A lot went on here, but until the invention of heliography - a direct and accurate reproduction of reality, visually - in 1826, history is produced textually.

civilisation

colonisation

c. 4600 M.A. to c. 1860 C.E.

pre-modernism

modernism

c. 1860 C.E. to c. 1960 C.E.

 Olympia (1863)

modernisation

globalisation

postmodernism

c. 1960 C.E. to c. 2010 C.E.

<label for="name">Insert a name:</label><br>

<input type="text" id="name" name="name"><br><br>

realisation

[__________]

c. 2010 C.E. to present day

reco//ective memory

mother india
giga chad

परम्परा

अनुशासन

cinemachaat_jabwemet_love_edited.jpg

प्रतिष्ठा

ஒரே தேசம், ஒரே தனித்துவம்

illusion of being

shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure and system of language. shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure of language shaped by a dominant narrative and institutions that sanction ways of thinking and ways of constituting knowledge that produce subjectivities and power relations through the structure and system of language

Shah-Rukh-Khan.jpg
image-6.png
image-6.png
image-6.png
Retro Y2K Graphics

2025. All Rights Reserved.

BIGGER

SCREEN

BIGGER

PICTURE

aham_2025-ongoing reyyi
website consisting mixed media and text
dimensions variable and responsive

reyyi

{

an artist by imagination

a lawyer by qualification

a pluralist by classification

posthuman by credence

a resident of Gurgaon, India

a native of Bangalore, India

}

2025. ALL RIGHTS RESERVED.

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